|
|
|
|
|
|
Jacopo Amigoni
Juno Receives the Head of Argus
c1730 Moor Park, Rickmansworth
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Joseph in Pharaob's Palace
mk61
Oil on canvas
325x283cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
The Finding of Joseph's Cup in Benjamin's Bag
mk61
c.1748
Oil on cnavas
281x355cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Jupiter and Callisto
mk65
Oil on canvas
24 1/2x30"
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Recreation by our Gallery
mk79
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Juno Receiving the Head of Argos
Juno Receiving the Head of Argos (1730-32)
Oil on canvas, 108 x 72 cm.
Moor Park, Rickmansworth, Hertfordshire.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Venus and Adonis
c. 1740
Oil on canvas
45 X 75 cm (17.72 X 29.53 in)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Venus and Adonis
Technique Oil on canvas
Dimensions 45 X 75 cm (17.72 X 29.53 in)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Full resolution
Full resolution (772 X 880 pixels, file size: 110 KB, MIME type: image/jpeg)
Juno Receiving the Head of Argos
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Barbara de Braganza
1750(1750)
Oil painting
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Amigoni Bildnis einer Dame
Bildnis einer Dame als Diana, Leinwand, 128 ?? 94 cm, Berlin, Staatliche Museen
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Venus and Adonis
Medium Oil on canvas
Dimensions 045 X 75 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Marquis of Ensenada
Medium Oil painting
Dimensions 104 x 124 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Bildnis einer Dame als Diana
128 x 94 cm,
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Portrait of a Gentlemen in Blue Jacket
1st half of 18th century
Oil on canvas
102 cm (40.2 in). Height: 127 cm (50 in).
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Juno Receiving the Head of Argos
Date between 1730(1730) and 1732(1732)
Medium Oil on canvas
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Venus and Adonis
Date ca. 1740(1740)
Medium Oil on canvas
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Carlo Broschi, Farinelli
Date between 1750(1750) and 1752(1752)
Medium Oil on canvas
Dimensions Width: 61 cm (24 in). Height: 82 cm (32.3 in).
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
Portrait of Caroline Wilhelmina of Brandenburg-Ansbach
1735(1735)
Medium Oil on canvas
Dimensions 2,439 x 1,524 cm (960.2 x 600 in)
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jacopo Amigoni
infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amade
Maria Antonietta of Spain (1729-1785), infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amadeus III of Sardinia.
Deutsch: de:Maria Antonia von Spanien (1729-1785), Königin von Piemont-Sardinien, Infantin von Spanien, jxngste Tochter des spanischen Königs Philipp V. und dessen Gemahlin de:Elisabetta Farnese. Frau von König Viktor Amadeus II. (Sardinien-Piemont) (Herzog Viktor Amadeus III von Savoyen).
Français : Marie Antoinette infante d'Espagne (1729-1785), reine de Sardaigne-Pixmont, duchesse de Savoie, fille de roi Philippe V d'Espagne, femme de Victor-Amxdxe III de Savoie.
Español: es:Marxa Antonieta de España
Magyar: Mxria Antonietta spanyol infxnsnő (1729-1785), szxrd-piemionti kirxlynx, savoyai hercegnx, V. Fxlöp spanyol kirxly xs Farnese Erzsxbet legkisebb lexnya, I. Viktor Amadx szxrd-piemonti kirxly (II. Viktor Amadx sayvoai herceg) felesxge.
Polski: pl:Maria Antonia Burbon
ca. 1750(1750)
Oil on canvas
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Jacopo Amigoni
|
1685-1752
Italian Jacopo Amigoni Galleries
He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi.
Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available.
From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher.
In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid.
|
